Kelsey Jackson Williams

Printing, researching, and teaching fae benorth the Forth

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  • The Pathfoot Press: Six Months In

    When I came to my job interview at Stirling, I was full of big ideas, not all of them very practical.  One particularly far-fetched scheme I had was to propose developing a bibliography course at postgraduate level and equipping a print room for use by the students.  I laid this out in my job talk,…

    kelseyjacksonwilliams

    September 7, 2017
    Letterpress, Printing, Uncategorized
  • The Poet in the Print Shop

    A couple of years ago I was reading the account book of Robert Freebairn’s print shop in Edinburgh (because what could be more thrilling?) and came across some unusual entries.  In amongst the regular business of the shop – “for a new barr-shaft to the press”, “for ten fathom of cords for hanging books”, “for…

    kelseyjacksonwilliams

    August 9, 2017
    Book History, Printing
  • The Joys of Data Entry

    A few months ago I mentioned that one of the chapters of my new book would be about the public reception of the early Enlightenment texts I’m writing on.  Now, the spreadsheet of subscribers to Scottish books (c.1700-1740) continues to grow apace and, indeed, that’s what I’m trying to finish so I can move forward to…

    kelseyjacksonwilliams

    July 11, 2017
    Book History, Book Projects
  • An Excursus into Bookbinding: MacLehose of Glasgow

    A couple of days ago, I had bindings on my mind.  I’d been discussing Scottish bindings with a friend and that evening found myself looking at my own library for any which stood out from the ordinary run.  Pulling a couple of volumes off the shelves, the third Miscellany of the Spalding Club (Aberdeen, 1846) and…

    kelseyjacksonwilliams

    June 30, 2017
    Book Collecting, Book History, Provenance
  • The Protean Chapter

    There was one chapter of my doctoral thesis I just couldn’t crack. I must have rewritten it four or five times, hating it every time, and the incarnation which finally made its way into my first book had more or less nothing in common with the initial draft other than subject. My basic problem was…

    kelseyjacksonwilliams

    June 13, 2017
    Book Projects
  • Mural Monuments in Crail

    I’ve been interested in the remarkable early modern epigraphic landscape of Crail kirkyard (in the East Neuk of Fife) for about as long as I’ve been interested in carved stones.  A while ago I wrote a small piece on Crail, comparing its carved stones with analogous wooden relics for the Scottish Archaeological Research Framework, and…

    kelseyjacksonwilliams

    June 6, 2017
    Carved Stones
  • On Generative Writing

    Almost a month ago, I talked about planning my summer writing goals and, especially, the book chapter I wanted to write first: a look at the reception of French archival and textual theories in early Enlightenment Scotland. I finished a first draft of that chapter earlier today and thought that now might be a good…

    kelseyjacksonwilliams

    May 19, 2017
    Book Projects, Writing
  • Back to the Book

    When I signed my book contract in February, I wrote that I hoped to blog on the experience of completing The First Scottish Enlightenment. Predictably, term-time intervened and I’ve had little enough progress to report over the last few months. Now that marking is (mostly) over, though, and I have only one or two pressing…

    kelseyjacksonwilliams

    April 20, 2017
    Book Projects, Enlightenment
  • What David Drummond Read

    One chapter of my new book is devoted to the reception of the historical-antiquarian works I study. As part of that I’ve been putting together a sprawling spreadsheet of the 4,000 or so persons known to have subscribed for scholarly texts published in Edinburgh between 1708 (when publication by subscription seems to have first been…

    kelseyjacksonwilliams

    March 29, 2017
    Book Projects, Enlightenment, Scottish Literature
  • Teaching Older Scottish Literature

    This afternoon I found myself filling out paperwork with a lighter mood than usually attends such activities.  Why?  I was writing the course description for a new fourth-year module I’ve been wanting to teach for a very long time: Scottish literature from Renaissance to Enlightenment.  My own exposure to the period as an undergraduate was…

    kelseyjacksonwilliams

    March 10, 2017
    Canon, Poetry, Scottish Literature, Teaching
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